Sun-Mi’s current tour is all about the release of her newest album ‘Page 4: Meaning of a Nest’. The material contains eight new works from her hand, crafted as a series of emotional vignettes, piece by piece in the same style as her albums before, merging post-bop jazz and impressionism, with elements of serial and odd meter music. All voices (drums, piano, double bass, tenor saxophone, and trumpet) are seemingly minding their own business, but surprisingly come and ring together at several stages of the music, sometimes even in other dimensions, only to disintegrate again, seeking either solace or solitude. Everything happens slowly and organically, by subtle abstract layering, never sudden or in your face. Each work seems to evolve from nothing, leading into a dream world, full of melancholy atmospheres. Together they set up a big spectrum, in which the post-bop character of the sax and trumpet is muffled by Ravel’s harmonies on piano. On drums, Sun-Mi plays in a pointillistic style, as if she is sketching the music, occasionally surprising the audience with little well-tempered outbursts. It’s her who is behind the parallax scrolling.