Fast forward to early 2025, and the Quintet has released their second album, Seafarer. As the title suggests, it is a thematic and musical sequel to 2022’s Wayfarer. This connection is evident from the first track, which is a variation of the Wayfarer theme. The group takes their time to let this beautiful piece unfold, showcasing a brighter and more layered sound. The compositions are more focused, and there is a noticeable growth in the group’s execution of dynamic and adventurous pieces. The phrasing in the solos and the cohesive way the quintet elevates the compositions to their climaxes are particularly impressive.

The soloists in the group are exceptional. Loek’s urgent and lyrical saxophones blend perfectly with Nathan Surquin’s trombone. Aseo Friesacher on piano adds the perfect rhythmic and melodic color, forming a robust foundation with bassist Cas Jiskoot and drummer Willem Romers. The unit is tight, and each member occasionally steps forward to make their unique mark within the pieces.

A delightful aspect of the album is that all the themes are clear and memorable, instantly resonating with the listener. While Wayfarer was inspired by travels to various places, Seafarer continues this tradition. The well-defined themes and the overall mood of the pieces evoke different times, journeys, oceans, countrysides, and cities.

One of the album’s highlights is the dazzling piece Attic Views, featuring spectacular themes, rhythmic shifts, and a brilliant display of Friesacher and Romers’ musical skill and creativity. The track transitions beautifully to its short conclusion.

When We Weep transports the listener to a warm and tranquil place, with wind instruments carried on a soft bed of piano, bass, and drums. The trombone solo in the middle part is particularly noteworthy.